Bows

In general, with a modest amount of playing and careful handling, they will last for 2 to 3 years.

In general, with a modest amount of playing and careful handling, they will last for 2 to 3 years.

In general, with a modest amount of playing and careful handling, they will last for 2 to 3 years.

A step up from the basic entry level bow

A generic beginner level baroque bow.

Please contact us for more details, quoting number 6193

The entry level bow of the Schumann brand will perform all the basic functions well.

A bit of 'bling'... and why not!?

The entry level bow of the Schumann brand will perform all the basic functions well.

These bows will perform very well technically and are practically indestructible.

These bows will perform very well technically and are practically indestructible.

More refined than cheaper Chinese carbon fibre bows.

Germany has a rich tradition of making bows for the trade which were subsequently exported worldwide.

The Dörfler firm, is one of Germany’s famous contemporary bow making companies.

The Thoma family of bow makers spanned at least three generations.

Please contact us for more details, quoting number 405.

Nelly Poidevin specialises in bows for early music performance.

Please contact us for more details, quoting number 61

Arnold Dolmetsch ran a significant early music workshop in Haslemere, Surrey producing all manner of authentic instruments and bows.

Please contact us for more details, quoting number 635

The firm, George Withers & Sons, produced many fine bows.

Please contact us for more details, quoting number 369.

A fine French bow maker, Victor Thomassin moved to London around the turn of the 20th century.

Please contact us for more details, quoting number 87.

As is so often the case within the tradition, Alois Sandner studied bow making at his father’s bench.

Please contact us for more details, quoting number 66.

Ernst Heinrich Roth was a highly respected artisan running a large, successful enterprise.

Please contact us for more details, quoting number 624.

This bow can draw out a powerful sound with excellent dynamic range.

Please contact us for more details, quoting number 150.

A superb early period Hill bow by Edgar Bishop.

Please contact us for more details, quoting number 95.

An unstamped bow of the Markneukirchen school, it comprises a round pernambuco stick and produces a very refined sound.

Please contact us for more details, quoting number 449.

Charles Nicolas Bazin, was one of the best Mirecourt makers of his time.

Please contact us for more details, quoting number 422.

George Hart II oversaw a large workshop which specialised in fine, French inspired bows.

Please contact us for more details, quoting number 181.

Bows from C. N. Bazin’s Mirecourt workshop were made for some of the most prominent violin establishments of the day.

Please contact us for more details, quoting number 482.

George Darby was a respected violin and bow maker. This is a nice, light, agile bow.

Please contact us for more details, quoting number 323.

Bows stamped "Techler" emanated from the C A Reichel workshop in Markneukirchen.

Please contact us for more details, quoting number 84.

F C Pfretzschner most likely specialised in trading.

Please contact us for more details, quoting number 48.