Bows

In general, with a modest amount of playing and careful handling, they will last for 2 to 3 years.

In general, with a modest amount of playing and careful handling, they will last for 2 to 3 years.

In general, with a modest amount of playing and careful handling, they will last for 2 to 3 years.

A step up from the basic entry level bow

A generic beginner level baroque bow.

Please contact us for more details, quoting number 6193

The entry level bow of the Schumann brand will perform all the basic functions well.

The entry level bow of the Schumann brand will perform all the basic functions well.

These bows will perform very well technically and are practically indestructible.

These bows will perform very well technically and are practically indestructible.

More refined than cheaper Chinese carbon fibre bows.

Germany has a rich tradition of making bows for the trade which were subsequently exported worldwide.

The Dörfler firm, is one of Germany’s famous contemporary bow making companies.

The Thoma family of bow makers spanned at least three generations.

Please contact us for more details, quoting number 405.

Nelly Poidevin specialises in bows for early music performance.

Please contact us for more details, quoting number 61

Arnold Dolmetsch ran a significant early music workshop in Haslemere, Surrey producing all manner of authentic instruments and bows.

Please contact us for more details, quoting number 635

The brothers Charles and Eugene formed 'Gand Freres' in 1855.

Please contact us for more details, quoting number 177.

A fine French bow maker, Victor Thomassin moved to London around the turn of the 20th century.

Please contact us for more details, quoting number 87.

This lovely bow produces a powerful, rich tone.

Please contact us for more details, quoting number 261.

Ernst Heinrich Roth was a highly respected artisan running a large, successful enterprise.

Please contact us for more details, quoting number 624.

Paul Weidhaas viola bow, c. 1935

Please contact us for more details, quoting number 49.

A superb early period Hill bow by Edgar Bishop.

Please contact us for more details, quoting number 95.

An unstamped bow of the Markneukirchen school, it comprises a round pernambuco stick and produces a very refined sound.

Please contact us for more details, quoting number 449.

Charles Nicolas Bazin, was one of the best Mirecourt makers of his time.

Please contact us for more details, quoting number 422.

George Hart II oversaw a large workshop which specialised in fine, French inspired bows.

Please contact us for more details, quoting number 181.

Bows from C. N. Bazin’s Mirecourt workshop were made for some of the most prominent violin establishments of the day.

Please contact us for more details, quoting number 482.

W E Hill & Sons violin bow, gold mounted, c. London 1930

Please contact us for more details, quoting number 374.

Bows stamped "Techler" emanated from the C A Reichel workshop in Markneukirchen.

Please contact us for more details, quoting number 84.

An amazingly prolific and efficient Mirecourt workshop.

Please contact us for more details, quoting number 64.

A French violin bow by the J. F. Daber company. A perfectly balanced bow which feels light in the hand.

Please contact us for more details, quoting number 379.